![]() ![]() Madhubala in Aaiye Meharbaan ( Howrah Bridge, 1958) ![]() Who can forget Madhubala’s naughty flouncing of skirts to the sensuous yet charming tunes of ‘Aaiyye Meharbaan’ ( Howrah Bridge 1958) or Nargis’ incandescent elegance in a bathing suit in Awaara (1951), the first on Indian screens to have donned one? Women in Hindi cinema have always been a source of captivation, not so much for their personalities as for their beauty, their projection as the hero’s object of romance and the possibilities that their presence provides for the lavish song and dance sequences with which Bollywood is identified far and wide. ![]() Hindi cinema has been on a roller coaster journey for 100 years now and many have come and gone whose imprints on our minds are indelible. ![]()
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